Nebula Conference Schedule

Greetings! It’s been a quiet front here so far in 2022, but I’m popping in to provide my Nebula Conference schedule for this upcoming weekend.

The Nebula Conference will be virtual again this year, and if you’re in attendance, you can catch me at the panel “Combating Misogyny in Romance Writing” on May 20th at 1:30 PM PDT. I’ll also be in and out of the con’s virtual social spaces, so catch me around! Nebula Conference attendees will also be able to view the panel after it streams if you aren’t able to make that time.

As of this posting, the Nebula Conference’s full program is not listed yet, but you can find all the relevant info about my panel on my Upcoming Events page in the meantime. And you can stay up to date with the Nebula Conference on their official site.

Now Open for Business: Freelance Editorial Services

I’m happy to announce this post-NaNoWriMo season that I’ve just opened up freelance editorial services!

These services include pre-developmental consultation, developmental editing (currently limited to adult and young adult SFFH projects), copyediting, and proofreading. Details, including my rates and estimated timelines for projects, are available on my new editorial site. The link can now be found in the top menu of this site, as well.

I’m excited to get more involved in editing other people’s work again (I’ve been focused more on my own these past few months, and I could use some space away from my own words), so if you’re on the search for an editor for your novel/short story/article/website/what-have-you, please take a look at my services and contact me if you’re interested or want to know more.

Want to read my thesis?: Approaches to Contested In-Group Terminology for Mindful Editors

I’ve been so busy the past few weeks with WorldCon stuff that I completely forgot: my graduate thesis has been published to PDXScholar and is available for anyone to read.

Titled “Approaches to Contested In-Group Terminology for Mindful Editors”, I examined the question of how editors and other publishing professionals can ethically go about using respectful terminology for marginalized groups when all possible terminology is considered inappropriate by some subset or another of said marginalized group (what I refer to in the paper as “contested in-group terminology”). Specially, I took a look how publishing has approached this in the past by examining the terminology used by 90 books published over the past decade with regards to fat, disabled, and queer identities (I go in more depth as to why I chose to use those specific terms in the paper), and coded the data to find any trends in the language that’s been used.

Here’s the full abstract:

In the conversation about mindful editing, a conundrum exists with regards to marginalized groups for whom all possible labels to identify the group contain loaded histories and connotations, and different subsets of these marginalized groups are in disagreement about what terminology is most appropriate. This contested in-group terminology places editors in a position where any editorial choice they make has high risk of offending or alienated members of the very group the editor hopes to represent. How, then, do mindful editors approach the matter of contested in-group terminology in an ethical manner? This study examines the approaches to contested in-group terminology used by the publishing industry in the past decade, examining word-choice and framing in the back cover copy and titles from three datasets of books featuring characters that belong to the following identity groups: fat, disabled, and queer. The data shows that publishing has been taking different approaches to language for each of these groups and that mindful editors cannot expect one approach to navigating contested in-group terminology to translate easily to other groups. The data also reveals some areas where the publishing industry and readers are in disagreement about appropriate labels for marginalized groups. In order to address contested terminology, mindful editors need to understand the histories of the terminology in question, consider the audience and the author’s intention with their word-choice, and research arguments for or against particular word-choice from a variety of in-group sources to make well-reasoned and deliberate choices for terminology and framing.

One thing that’s not in the paper is a conversation I had with my graduate committee about my findings, in which my committee asked if I had any recommendations for how publishers can commit to specific policies regarding contested in-group terminology. My suggestion was that publishers could be more transparent about their editorial house style–most publishers already have their house styles internally documented, and it would be a simple matter of publishing that information. This would allow publishers a chance to explain why they make certain editorial choices with contested in-group terminology (since one of the big conclusions of my findings was that just being able to explain why one term is used over another is one of the most significant factors in mindful editing), as well as help de-escalate some of the contention surrounding this topic, as the contested in-group terminology would be mixed in with all of the other editorial choices included in the publisher’s house style.

Anyway, if you have a stomach for dense academic writing or have any interest in editing, go ahead and give it a read. It’s actually not terribly long (don’t let the page count fool you–I had to cite 90 books, after all, so a big portion of that is just me listing my sources), and there’s even a few colorful graphs to break up all the dense research analysis.

An update on my Less Than Three Press titles

Sad publication news here today: as some of you may have heard already, Less Than Three Press is closing its doors after ten years of publishing queer romance. It’s tragic to see this treasure trove of great queer romances go away, and, of course, this will also have an impact on my stories that were published through them.

The rights to For All the Gold in the Vault and A Study of Fiber and Demons have been reverted to me effective July 13, 2019, but Less Than Three Press will still be working to de-list books through July 31, so you may have a chance to grab them off vendors like Amazon or Kobo before the end of the month (no guarantees, though). However, once my novellas are removed from the LT3 site and third party vendors, they will be out of print, at least temporarily.

I would like to keep these works in print, of course. They don’t bring in much revenue for me, but they were both a lot of fun to write and I’m especially proud of A Study of Fiber and Demons, which is not yet even 2 years in print. LT3 was generous enough to grant me continued use of the covers and the master files for both these novellas, but in order to put these back in print, I will still need to consider the matter of distribution. I’m checking in with my agent now to get some feedback from her about how to move forward with that, but I’m not opposed to self-publishing them if that’s the best option available. I’m hoping that I will have a plan put together for how to ensure these novellas remain available sometime before I leave for WorldCon. I’ll update again here once I have a more solid plan in place, but if you are worried about not having a chance to grab these titles any time soon, they are still up for purchase on the LT3 site as of this posting.

In the meantime, thank you to Less Than Three Press for all the great work you’ve done over the past 10 years. Your contributions to queer romance will be greatly missed.